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While working in Glasgow in the late 1920s, MacLeod injured and eventually lost his right leg in a machine accident. The injury put an end to his competitive piping career, but the prosthetic ailment has become synonymous with this particular tune as one can easily envision a limping man struggling to march along his way.\u003cbr\u003e\u003cbr\u003eAs the drumming for this tune was commissioned for the 2013 Atlanta Symphony Orchestra Modern Snare Drum Competition, the intent is to perform on either a Scottish or orchestral snare drum, but still alongside a bagpiper. By Scottish terms, this drum corps (meaning the percussion section of the pipe band) score would be suitable for a Grade II+ band or individual player. The vocabulary used is quite contemporary for all the drums including the tenor and bass drum. 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Switches are tracks that enable trains to move in different directions and diamonds are tracks that intersect each other. Sounds are also recorded from freight car couplers as they concuss with other couplers, grade crossing bells, sounds that surround the railroad tracks and other miscellaneous sounds that occurred by chance to include the church organ and wind that begins the piece. 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I wanted to write pieces for my teachers and mentors who inspired and lifted me up throughout the years.  Every piece is written for Snare Drum and Bass Drum (kick drum).  The size\/type of the drums are left up to the discretion of the performer.   The performer may perform these seated or standing.  Random selections can be performed together or as stand-alone pieces.  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